Global music superstar and business visionary Mr Eazi has shared “Legalize,” the first single from his forthcoming debut album, and one of his most personal tracks to date.
Produced by an international team of Michael Brun(Haiti/USA), E Kelly(Nigeria) and Nonso Amadi(Nigeria/Canada), “Legalize” and its accompanying video celebrate Eazi’s love for his fiancée, the Nigerian actress Temi Otedola.
The couple were engaged in April when Mr Eazi proposed while shooting the video in Venice, Italy.
That city’s famously romantic canals, bridges and architectural gems form the backdrop of the luxe “Legalize” video, directed by Italy’s Federico Mazzarisi.
Notable landmarks used in the making of the clip include the Ca’ Sagredo Hotel and the Punta Della Dogana and Palazzo Grimani museums.
Art is a major thread running through Mr Eazi’s as-yet untitled debut album. (Eazi considers his earlier full-length projects, Life is Eazi, Vol. 1: From Accra to Lagos and Life is Eazi, Vol. 2: From Lagos to London as mixtapes). Each track from the album will be represented in the form of a series of uniquely commissioned pieces from different African contemporary artists. These pieces will be tokenized and shared with the public through specially curated metaverse and physical events.
For “Legalize”, Eazi tapped Benin’s Patricorel, whose painting by the same name simultaneously captures the intimacy of love, submission, vulnerability and the finality of death.
“What struck me was the fact that he represents love with his pieces, but he draws with skeletons,” Mr Eazi says of Patricorel. “I think skeletons are our most human, naked form.”
“I started the song in Michael Brun’s house on some edibles, freestyling,” Eazi says. “Later, I went to London and listened to what I’d recorded, and realized what the song was about. I’ve been thinking of asking Temi to marry me for a long time, so I guess it was in my subconscious.”
Months later, after Eazi had arranged to film the song’s video in Venice and purchased a ring, he realized the video set would be the perfect venue to propose.
“She’d be properly dressed up, nails done,” Eazi says. “I knew it would stand as a totem we always will look back on. No one on set knew what was going to happen.”
The introspective “Legalize” has a different feel than the current wave of raucous and boastful afrobeats, and that’s the point. “It’s more like this song is for me,” Eazi says. “A lot of the album I’m working on feels that way. I am making music for myself.”